Christmas ads 2023: the musical view
DLMDD co-founder Sascha Darroch-Davies give us another cutting view on the audio choices of this year's festive offerings.
Credits
powered by- Agency Havas/London
- Production Company Hungry Man
- Director Taika Waititi
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Credits
powered by- Agency Havas/London
- Production Company Hungry Man
- Director Taika Waititi
- Social One Green Bean/London
- Producer (Product) Friend
- Editing Cabin Editing Company/London
- Post-Production Rascal Post Production
- Executive Producer The Mill/London
- Post Producer Time Based Arts
- Sound Creative Outpost
- Music The Music Lab
- Chief Creative Officer Vicki Maguire
- Executive Creative Director Dan Cole
- Creative Director Nick Hearne
- Creative Partner (Brand) Nathalie Gordon
- Creative Partner (Product) Nick Allsop
- Producer Hannah Stone
- DP Mike Berlucchi
- Senior Designer Sam Kallen
- Creative Production Director Dean Trendler
- Director (Product) Ruth Pickett
- Head of Film Louise Bonnar
- Production Lead Olivia Riddle
- Producer (Product) Camilla Cullen
- DP David Miller
- Senior Producer (Brand) Sarah Cowen
- Producer (Product) Liberty Willison
- Editor/Owner Chan Hatcher
- Editor Talia Pasqua
- Editing Producer Joanna Dawson
- Executive Post Producer Kayt Hall
- Editor (Product) Nina Sacharow
- VFX Supervisor Kalle Lundberg
- Creative Director Kalle Lundberg
- Head of Production James Beck
- Colorist James Bamford
- Executive Producer Colin Oaten
- Post Producer Angie Broomfield
- Head of Sound Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Tom Lane
- Executive Producer Audio Post Caroline McNulty
- Senior Audio Post Producer Caroline McNulty
- Food Stylist Katie Giovanni
- Managing Partner/Executive Producer Matt Buels
Credits
powered by- Agency Havas/London
- Production Company Hungry Man
- Director Taika Waititi
- Social One Green Bean/London
- Producer (Product) Friend
- Editing Cabin Editing Company/London
- Post-Production Rascal Post Production
- Executive Producer The Mill/London
- Post Producer Time Based Arts
- Sound Creative Outpost
- Music The Music Lab
- Chief Creative Officer Vicki Maguire
- Executive Creative Director Dan Cole
- Creative Director Nick Hearne
- Creative Partner (Brand) Nathalie Gordon
- Creative Partner (Product) Nick Allsop
- Producer Hannah Stone
- DP Mike Berlucchi
- Senior Designer Sam Kallen
- Creative Production Director Dean Trendler
- Director (Product) Ruth Pickett
- Head of Film Louise Bonnar
- Production Lead Olivia Riddle
- Producer (Product) Camilla Cullen
- DP David Miller
- Senior Producer (Brand) Sarah Cowen
- Producer (Product) Liberty Willison
- Editor/Owner Chan Hatcher
- Editor Talia Pasqua
- Editing Producer Joanna Dawson
- Executive Post Producer Kayt Hall
- Editor (Product) Nina Sacharow
- VFX Supervisor Kalle Lundberg
- Creative Director Kalle Lundberg
- Head of Production James Beck
- Colorist James Bamford
- Executive Producer Colin Oaten
- Post Producer Angie Broomfield
- Head of Sound Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Tom Lane
- Executive Producer Audio Post Caroline McNulty
- Senior Audio Post Producer Caroline McNulty
- Food Stylist Katie Giovanni
- Managing Partner/Executive Producer Matt Buels
ASDA
Micky f*kin’ Bubbles!! Who doesn’t love Micky Bubbles? A pretty solid bet for a supermarket celebrity endorsement.
Being honest, as I like to be at Christmas, I don’t really understand the quality control angle they’re pursuing here. After all, young blue eyes hasn’t exactly been a master of that with his output over the years so who’s to say he’s going to be any better a QC at mid-range Christmas foods.
Still, I like this/these spots. It’s a shame the elves at Havas didn’t make more use of his actual SINGING ability, he really is jolly good. Leaning on him to do acting, it turns out he's rather good. Further bonus, he wouldn’t have been affected by the SAG AFTRA strike because he’s a Canadian, like all the best American singers
Credits
powered by- Agency Havas/London
- Production Company Hungry Man
- Director Taika Waititi
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-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Havas/London
- Production Company Hungry Man
- Director Taika Waititi
- Social One Green Bean/London
- Producer (Product) Friend
- Editing Cabin Editing Company/London
- Post-Production Rascal Post Production
- Executive Producer The Mill/London
- Post Producer Time Based Arts
- Sound Creative Outpost
- Music The Music Lab
- Chief Creative Officer Vicki Maguire
- Executive Creative Director Dan Cole
- Creative Director Nick Hearne
- Creative Partner (Brand) Nathalie Gordon
- Creative Partner (Product) Nick Allsop
- Producer Hannah Stone
- DP Mike Berlucchi
- Senior Designer Sam Kallen
- Creative Production Director Dean Trendler
- Director (Product) Ruth Pickett
- Head of Film Louise Bonnar
- Production Lead Olivia Riddle
- Producer (Product) Camilla Cullen
- DP David Miller
- Senior Producer (Brand) Sarah Cowen
- Producer (Product) Liberty Willison
- Editor/Owner Chan Hatcher
- Editor Talia Pasqua
- Editing Producer Joanna Dawson
- Executive Post Producer Kayt Hall
- Editor (Product) Nina Sacharow
- VFX Supervisor Kalle Lundberg
- Creative Director Kalle Lundberg
- Head of Production James Beck
- Colorist James Bamford
- Executive Producer Colin Oaten
- Post Producer Angie Broomfield
- Head of Sound Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Tom Lane
- Executive Producer Audio Post Caroline McNulty
- Senior Audio Post Producer Caroline McNulty
- Food Stylist Katie Giovanni
- Managing Partner/Executive Producer Matt Buels
- Talent Michael Buble
Credits
powered by- Agency Havas/London
- Production Company Hungry Man
- Director Taika Waititi
- Social One Green Bean/London
- Producer (Product) Friend
- Editing Cabin Editing Company/London
- Post-Production Rascal Post Production
- Executive Producer The Mill/London
- Post Producer Time Based Arts
- Sound Creative Outpost
- Music The Music Lab
- Chief Creative Officer Vicki Maguire
- Executive Creative Director Dan Cole
- Creative Director Nick Hearne
- Creative Partner (Brand) Nathalie Gordon
- Creative Partner (Product) Nick Allsop
- Producer Hannah Stone
- DP Mike Berlucchi
- Senior Designer Sam Kallen
- Creative Production Director Dean Trendler
- Director (Product) Ruth Pickett
- Head of Film Louise Bonnar
- Production Lead Olivia Riddle
- Producer (Product) Camilla Cullen
- DP David Miller
- Senior Producer (Brand) Sarah Cowen
- Producer (Product) Liberty Willison
- Editor/Owner Chan Hatcher
- Editor Talia Pasqua
- Editing Producer Joanna Dawson
- Executive Post Producer Kayt Hall
- Editor (Product) Nina Sacharow
- VFX Supervisor Kalle Lundberg
- Creative Director Kalle Lundberg
- Head of Production James Beck
- Colorist James Bamford
- Executive Producer Colin Oaten
- Post Producer Angie Broomfield
- Head of Sound Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Dave Robinson / (Sound Designer/Audio Mixer)
- Sound Designer Tom Lane
- Executive Producer Audio Post Caroline McNulty
- Senior Audio Post Producer Caroline McNulty
- Food Stylist Katie Giovanni
- Managing Partner/Executive Producer Matt Buels
- Talent Michael Buble
Here's two ‘safe bet’ Christmas songs, between the ‘teaser’ and the main…
For your starter It’s Beginning To Look a Lot Like Christmas, Bublé’s biggest streaming hit to date by some margin clocking up 90,242,320 more than Bing Crosby’s original on last count (14 Nov).
And, for the main course, the not quite so overplayed Walking In A Winter Wonderland (a pathetic 81,576,593 streams). One final thought, didn’t anyone suggest a lyric change, thus: "Walking In An ASDA wonderland?"
I am available for hire every Christmas, people.
Credits
powered byBailey’s
The ever-gorgeous and terrifying Hannah Waddingham leads the Gold Vocal Collective in a complex vocal gymnastics display.
So, what are we saying here Bailey’s? NOTHING! The song doesn’t have any f*ing words apart from the brand name. This is literally dumb advertising. Having said that production values are high particularly on the vocal recording. They make a nice noise this lot which is probably why they have been hired to appear in a previous Waitrose Christmas campaign, on CBeebies and on the Naked Choir whatever that is, presumably not a CBeebies production).
Could the agency creatives not have stayed a bit later one night and attempted lyrics?
Credits
powered by- Agency New Commercial Arts/London
- Production Company Pulse Films/London
- Director Freddie Waters
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Credits
powered by- Agency New Commercial Arts/London
- Production Company Pulse Films/London
- Director Freddie Waters
- Production Lead The&Partnership/London
- Creative Director adam&eveDDB/London
- Editing Company The Assembly Rooms
- Post-Production Electric Theatre Collective
- 3D Supervisor The Mill/London
- Music Supervisor Manderley Music
- Music Production Library Track
- Music Production Cavendish Music
- Audio Post Production Wave Studios/London
- Design & Artwork King Henry Studios
- Retouching King Henry Studios
- Chief Creative Officer Ian Heartfield
- Creative Director Brad Woolf
- Managing Director Hannah White
- Director of Production Matt Craigie Atherton
- Deputy Head of Production Georgia Dickinson
- Production Lead Cara Swindell
- Art Director Alicia Job
- Copywriter Jessica Pacey
- Creative Director Dan Bailey
- Producer David French
- DP Matt Fox / (DP)
- DP Benjamin Kracun
- Editor Eve Ashwell
- Post Producer Alasdair Patrick
- Grade Luke Morrison
- 3D Supervisor Matteo La Motta
- 2D Supervisor Iain Murray
- Sound Designer Ben Gulvin
- Sound Designer Harry Butcher
Credits
powered by- Agency New Commercial Arts/London
- Production Company Pulse Films/London
- Director Freddie Waters
- Production Lead The&Partnership/London
- Creative Director adam&eveDDB/London
- Editing Company The Assembly Rooms
- Post-Production Electric Theatre Collective
- 3D Supervisor The Mill/London
- Music Supervisor Manderley Music
- Music Production Library Track
- Music Production Cavendish Music
- Audio Post Production Wave Studios/London
- Design & Artwork King Henry Studios
- Retouching King Henry Studios
- Chief Creative Officer Ian Heartfield
- Creative Director Brad Woolf
- Managing Director Hannah White
- Director of Production Matt Craigie Atherton
- Deputy Head of Production Georgia Dickinson
- Production Lead Cara Swindell
- Art Director Alicia Job
- Copywriter Jessica Pacey
- Creative Director Dan Bailey
- Producer David French
- DP Matt Fox / (DP)
- DP Benjamin Kracun
- Editor Eve Ashwell
- Post Producer Alasdair Patrick
- Grade Luke Morrison
- 3D Supervisor Matteo La Motta
- 2D Supervisor Iain Murray
- Sound Designer Ben Gulvin
- Sound Designer Harry Butcher
Sainsbury’s
I have issues with this… if you’re going to get a celebrity in, use them! Or, did Rick have a hissy fit after his first shot, storm off and the team have to rewrite this?
No Beef Wellington? WTAFYCs?
Cheese before pudding is how the French do it and they invented cooking… and cheese.
Also, Santa doesn’t have time for lunch probably ever. Which does beg the question why is he overweight?
Ski Sunday theme is the soundtrack.
Has anyone seen a Tesco ad yet? [Editor's note: it breaks on Sunday.]
Credits
powered by- Agency The Pharm/London
- Production Company Rogue Films
- Director Sam Brown
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Credits
powered by- Agency The Pharm/London
- Production Company Rogue Films
- Director Sam Brown
- VFX Supervisor Selected Works
- Sound Design and Mix Factory Studios/London
- Sound Design and Mix Jack Hallett
- Creative Partner Sarah Bamford
- Copywriter Jonathan Thake
- Creative Director Steve Wioland
- Creative Director Matt Woolner
- Executive Producer Susie Innes
- Agency Producer Eleanor Hardcastle
- Producer Polly Ruskin
Credits
powered by- Agency The Pharm/London
- Production Company Rogue Films
- Director Sam Brown
- VFX Supervisor Selected Works
- Sound Design and Mix Factory Studios/London
- Sound Design and Mix Jack Hallett
- Creative Partner Sarah Bamford
- Copywriter Jonathan Thake
- Creative Director Steve Wioland
- Creative Director Matt Woolner
- Executive Producer Susie Innes
- Agency Producer Eleanor Hardcastle
- Producer Polly Ruskin
Boots
A simple idea expertly executed by director Sam Brown. Well done all.
I once aided Sam Brown in throwing James Blunt off a cliff. James survived, which I used to think was a shame but it transpires James Blunt is one of the few UK pop stars with a sense of humour these days, so I’m glad he didn’t smash to bits on the rocks below after all.
And while we’re on the topic, can I pose this question – where has all the humour gone from pop? It’s pretty much all woe is me/I feel your pain/unrequited love/break up pain me me me, fucking me. Apparently, these topics trend well? FFS, no wonder we’ve got a youth mental health crisis on our hands! Landfill dross performed by melodyned pouty glee singers the lot of it, just a single factor defining one from the next – how much can I channel Amy Winehouse or Justin Bieber? I blame the major labels - all three of them - controlling the streaming channels and cashing in like oligarchs with no ears.
Val Doonican’s I’m Gonna Get There Somehow soundtracks the majority of this spot which is a neat choice. This is a 1965 cut, proving you don’t have to do a modern re-record to ‘resonate’.
Credits
powered by- Agency Saatchi & Saatchi/London
- Production Company Riff Raff
- Director Megaforce
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Credits
powered by- Agency Saatchi & Saatchi/London
- Production Company Riff Raff
- Director Megaforce
- Post Production Electric Theatre Collective
- Colorist Luke Morrison
- Executive Post Producer Magda Krimitsou
- Editor Final Cut/London
- Editor Joe Guest
- Executive Edit Producer Michelle Corney
- Sound 750mph
- Head of Sound Production Olivia Ray
- Music Wake The Town
- Chief Creative Officer Franki Goodwin
- Executive Creative Director Paddy Fraser
- Creative Alex Kosterman
- Creative Avani Maan
- Executive Design Director Nathan Crawford
- Character Design Kris Miklos
- Chief Strategy Officer Richard Huntington
- Head of Strategy Sam Wise
- Chief Production Officer (HP) Jessica Ringshall
- Executive Production Director Sam Robinson
- Producer Alex Pemberton
- Producer Richard Weager
- Producer Tracey Cooper
- Executive Producer Matthew Fone
- Production Manager Savvas Stavrou
- DP Matias Boucard
- 1st Assistant Director Chris Kelly / ( Assistant Director)
- Production Designer Marco Puig
- VFX Supervisor Alex Gabucci
- CG Supervisor Dorianne Fibleuil
- Animation Supervisor Andras Ormos
- Assistant Editor Matt Gabzdyl
- Sound Engineer Sam Ashwell
- Sound Engineer Jake Ashwell
- Music Supervisor Dominic Bastyra
Credits
powered by- Agency Saatchi & Saatchi/London
- Production Company Riff Raff
- Director Megaforce
- Post Production Electric Theatre Collective
- Colorist Luke Morrison
- Executive Post Producer Magda Krimitsou
- Editor Final Cut/London
- Editor Joe Guest
- Executive Edit Producer Michelle Corney
- Sound 750mph
- Head of Sound Production Olivia Ray
- Music Wake The Town
- Chief Creative Officer Franki Goodwin
- Executive Creative Director Paddy Fraser
- Creative Alex Kosterman
- Creative Avani Maan
- Executive Design Director Nathan Crawford
- Character Design Kris Miklos
- Chief Strategy Officer Richard Huntington
- Head of Strategy Sam Wise
- Chief Production Officer (HP) Jessica Ringshall
- Executive Production Director Sam Robinson
- Producer Alex Pemberton
- Producer Richard Weager
- Producer Tracey Cooper
- Executive Producer Matthew Fone
- Production Manager Savvas Stavrou
- DP Matias Boucard
- 1st Assistant Director Chris Kelly / ( Assistant Director)
- Production Designer Marco Puig
- VFX Supervisor Alex Gabucci
- CG Supervisor Dorianne Fibleuil
- Animation Supervisor Andras Ormos
- Assistant Editor Matt Gabzdyl
- Sound Engineer Sam Ashwell
- Sound Engineer Jake Ashwell
- Music Supervisor Dominic Bastyra
John Lewis
Probably the most anticipated Christmas ad of the last decade, given the brands’ decision to upstick and move to Saatchi & Saatchi. And while it doesn’t depart hugely from previous outings there are marked differences in tone and thankfully, music.
The story still leans on the easy win ‘kids perspective,’ but it’s a bit more humorous and less sentimental than what we’ve come to expect.
Anyway, about the music: it’s pretty special and I’ve never said that about a John Lewis ad before. Andrea Bocelli stomps through what sounds like a lost mid 70s Queen song (except, well, with Andrea Bocelli) singing one line - the song’s title La Vita Na Festa or, for all the non-Italian speakers, Life Is A Party!
While I could bollock on about the production of the track and how great that is, you don’t care, so I’ll focus on the vocal, which is nothing short of awesome. Not only because Andrea can make one line sound unique every time he delivers it, but because of the nuances and character he brings.
Note how he goes from mildly whimsical at 00:40, followed by slightly more confident and hopeful, to a wry smile the next. That highly controlled triplet vibrato at 00:54, the tragic spoken word offering at around 01:10 and that top C at the end, this is technical mastery AND real emotive performance at its best.
Braa-fucking-vo, chap!!!
Credits
powered by-
- Production Company The Mill/London
- Director Dominic Alderson
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Credits
powered by- Production Company The Mill/London
- Director Dominic Alderson
- Director Nicolas Aithadi
- Creative Director Andy Steele
Credits
powered by- Production Company The Mill/London
- Director Dominic Alderson
- Director Nicolas Aithadi
- Creative Director Andy Steele
M&S Food
If I played you just the voices of Ryan Reynolds and Rob McElhenney, do you think you’d recognise them?
No, neither would I and I’m a self-styled sound expert.
So why in the name of the Flying Spaghetti Monster would you pay them to appear in your expensive Christmas ad if you can’t tell it’s them? At least Dawn French has (to the middle-aged) an arguably instantly recognisable voice and her character in this film looks like her.
Ryan and Rob are a PAIR OF FUCKING MITTENS! Anyone who’s done a decent comedy V/O before could have voiced these characters and we’d not have cared either way, thus freeing up a bundle of cash to go towards… oooohh maybe decent soundtrack?
On the plus side, it is a good script, the performances are good, the food obviously looks good.
Music = very well ‘bespoke’ composed Christmas music.
Credits
powered by- Agency Mother/London
- Production Company Partizan/London
- Director Ally Pankiw
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Mother/London
- Production Company Partizan/London
- Director Ally Pankiw
- Producer/Executive Producer Ella More O'Ferrall
- Editing tenthree
- Editor Dave Robinson / (Assistant Editor)
- Sound 750mph
- Sound Engineer Sam Ashwell
- Color/Post Production/VFX Black Kite Studios
- Colorist George Kyriacou
- VFX Supervisor Jonny Freeman
- Music Supervision The Hogan
- Producer Annabel Ridley
- Production Designer Kem White
- DP Will Hanke
- Editor Elena De Palma
- Talent Hannah Waddingham
- Talent Zawe Ashton
- Talent Sophie Ellis-Bextor
- Talent
Credits
powered by- Agency Mother/London
- Production Company Partizan/London
- Director Ally Pankiw
- Producer/Executive Producer Ella More O'Ferrall
- Editing tenthree
- Editor Dave Robinson / (Assistant Editor)
- Sound 750mph
- Sound Engineer Sam Ashwell
- Color/Post Production/VFX Black Kite Studios
- Colorist George Kyriacou
- VFX Supervisor Jonny Freeman
- Music Supervision The Hogan
- Producer Annabel Ridley
- Production Designer Kem White
- DP Will Hanke
- Editor Elena De Palma
- Talent Hannah Waddingham
- Talent Zawe Ashton
- Talent Sophie Ellis-Bextor
- Talent
M&S Not Food
Probably the best Christmas ‘idea’ for many years. When all the other advertisers are guilting us into doing Christmas a certain way, M&S say "fuck it".
Ms Waddingham makes another appearance in what’s turning out to be a busy time of year for her (beats panto, I reckon) but you’d have thought someone might have requested an exclusivity clause no? Sophie Ellis Bextor and some other people I don’t recognise but am told are celebrities also feature.
Shall we address the controversy? Oh go on then… who are these morons who seem to think it appropriate or relevant to suggest that a brand purposely burned items that represent Palestine, as if the brand are unsympathetic to the nation’s appalling current situation? THEY MADE THIS IN AUGUST!
Regardless, it's a great music choice with a good vocal. Track is not very well mixed, though, with not enough drums or guitars. It's a bit woolly overall and sounds to me like a demo.