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Year after year, brands give their agencies essentially the same brief: make me a Christmas ad. Christmas ads have become the equivalent of the Super Bowl – the pressure is huge. 

And so is the difficulty. Not only are your competitors all doing the same ad at the same time, but there’s a limited number of things to be said. 

We’re all rifling through the same box of tricks that was picked clean years ago. 

You’ve got Santa, gift-giving (‘be thoughtful!’), the family coming together… and that’s it. Everyone is scrambling to come up with something different, but we’re all rifling through the same box of tricks that was picked clean years ago. 

John Lewis & Partners – Snapper: The Perfect Tree

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Above: This year's John Lewis Christmas spot, says The Moon Unit, has echoes of JL spots past; but is that because we're all 'rifling through the same box of tricks that was picked clean years ago'?


For example, this year’s John Lewis ad [above], in which a boy inadvertently grows a giant Venus flytrap instead of a Christmas tree, is written to the same formula – kid makes weird friend – as the brand’s previous efforts, like Monty the Penguin from 2014, and Unexpected Guest of 2021. Frankly, we’ve run out of ideas.

The website of Joe La Pompe, the Paris-based advertising plagiarist detector, features a rogues’ gallery of Christmas ads that are direct rip-offs of other ads. For example, he points out that this 2020 ad for a German pharmacy is similar to this one for an Italian energy company, which was made three years earlier. 

Frankly, we’ve run out of ideas.

Both films feature a grandfather working-out with weights, who then visits his family for Christmas and is strong enough to lift up his grandchild so they can place the star at the top of the Christmas tree.  

Fussy – Deck The Halls (Armpit Version)

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Above: This spot for Fussy, featuring carolling armpits, is 'probably the weirdest Christmas ad ever made'.


Unfortunately, the urgency to avoid what’s already been done has driven some brands to create work that’s so ‘out-there’, it would have been better if they hadn’t tried. 

The 2022 spot for Fussy [above], featuring carolling armpits, is probably the weirdest Christmas ad ever made. And this 2016 film, featuring 10 hours of US actor Nick Offerman sitting in front of a log fire for Lagavulin whisky, is the very definition of what you do when there’s nothing left to say. 

Very few ads have successfully broken the mould.

Very few ads have successfully broken the mould. Britain’s flagship clothes-and-food retailer M&S’s 2016 spot featured Mrs Claus instead of Santa. While this 2022 Christmas ad, created by and for a UK production company, showed a family losing a member instead of coming together. Meanwhile, British supermarket Tesco’s 2020 effortcelebrated naughty behaviour instead of thoughtfulness.

Being different may be slightly easier in the southern hemisphere, where a particularity of the Aussie/Kiwi Christmas (it’s summer) leads to ads like Aldi’s surfing Santas that could never be replicated in northern climes.

But these are rare exceptions. 

M&S – Love Thismas (Not Thatmas)

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Above: This year's spot for M&S tried to approach Christmas advertising in a different way and was lambasted for it.  


Arguably, the only spot trying to find a truly new angle this year is the ‘do what you love’ ad for Marks & Spencer [above], shot by Black Mirror director Ally Pankiw, in which various celebrities reject and destroy the aspects of Christmas they dislike. 

Unfortunately, it has sparked quite the backlash, with a message that has been interpreted to be advocating selfishness. “Really impressive just how utterly negative this is in a world that has sooo quickly become totally selfish and self-obsessed”, remarks one commenter on YouTube. Another one quips “Well done, you've made Christmas a celebration of destruction and chaos how wholesome M&S... I'd ask the advertising agency for my millions back if I were you”.

Maybe the public is not quite ready for anything other than the saccharine. 

Maybe the public is not quite ready for anything other than the saccharine. Hopefully ­– cross your fingers – that will change. Given the crises the world is facing over various wars and the climate meltdown, self-indulgent Christmas ads may soon become irrelevant, even morally distasteful. Aren’t they already? 

Let’s face it, the Christmas-industrial complex has always been slightly nauseating, and the sooner a new paradigm emerges that doesn’t just depict us genuflecting at the annual altar of consumerism, the better. 

Because, if one more brand wheels out a tagline like ‘[insert verb] your merry’, it surely can’t be long before we puke.

The Moon Unit is a creative services company with a globally networked, handpicked crew of specialist writers, visual researchers/designers, storyboard artists and moodfilm editors in nine timezones around the world.

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