Return to Santa; is Christmas back?
Damon Collins, Founder of London agency Joint, looks at the how the fallout from the UK's Christmas - or lack of it - in 2020 might impact on this year's crop of Christmas spots, and examines what gifts advertising can give to help.
It’s official, last year’s Christmas was the shittest in living memory.
However, here we are at the beginning of November, nearly a year later, longing for those heady days when all we had to worry about was dying of Covid.
Those [brands] who’ve survived will be desperate to make the most of whatever budgets they can scrape together.
The slow-motion car crash that is the combination of the pandemic and Brexit (there should be a name for it: Covit? Brexid?) is the unwanted gift that keeps on giving. Especially for the retail sector, for which the last 18 months has been basically one massive Squid Game. It’s been agonising to witness the demise of those who didn’t enter the pandemic fit and strong.
And this Christmas, the most critical trading period of the year, those who’ve survived will be desperate to make the most of whatever budgets they can scrape together.
Credits
powered by- Agency The&Partnership/London
- Production Company CANADA/UK
- Director Realite
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency The&Partnership/London
- Production Company CANADA/UK
- Director Realite
- Editor Carlos Font Clos
- Executive Producer Kirsty Oldfield
- Senior Post Producer Phil Whalley
- Post Producer Polly Durrance
- VFX Supervisor Hugo Saunders
- Colorist Marc Morato
- HP Deborah Whitfield
- Creative Director/Founder Anthony Moore
- Music Supervisor Josh Gibbard
- Music Supervisor Sian Rogers
- Sound Engineer Mark Hills
- Managing Director Gary Simmons
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Dan Dehlavi
- Creative Carl Storey
- Head of Integrated Production Charles Crisp
- Deputy Head of Integrated Production Rick Carter
- Producer Alfie Glover-Short
- Executive Producer Daisy Gautier
- Producer Luke Plaister
- DP Douwe Hennink
- Editor Chris Wilson / (Editor)
- CG Supervisor Tony Landais
- Shoot Supervisor/Compositor James Adamson
- Composer Matt Tamsedge
Credits
powered by- Agency The&Partnership/London
- Production Company CANADA/UK
- Director Realite
- Editor Carlos Font Clos
- Executive Producer Kirsty Oldfield
- Senior Post Producer Phil Whalley
- Post Producer Polly Durrance
- VFX Supervisor Hugo Saunders
- Colorist Marc Morato
- HP Deborah Whitfield
- Creative Director/Founder Anthony Moore
- Music Supervisor Josh Gibbard
- Music Supervisor Sian Rogers
- Sound Engineer Mark Hills
- Managing Director Gary Simmons
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Dan Dehlavi
- Creative Carl Storey
- Head of Integrated Production Charles Crisp
- Deputy Head of Integrated Production Rick Carter
- Producer Alfie Glover-Short
- Executive Producer Daisy Gautier
- Producer Luke Plaister
- DP Douwe Hennink
- Editor Chris Wilson / (Editor)
- CG Supervisor Tony Landais
- Shoot Supervisor/Compositor James Adamson
- Composer Matt Tamsedge
Above: Asda has embraced the spirit of Christmas in 2021 and asks us to say 'Baubles' to last year.
To do so, they will, as usual, need to demonstrate relevance to their customers via insight into their needs, wants and desires. Whilst, in the past, that’s been pretty straightforward (joy, togetherness, love... yadda yadda), this year there’s a little more for brands to wrap their heads round: People have died. Mothers, fathers, grandparents, children.
Even if we avoid a last-minute lockdown this year, hanging over us will be the dread of giving our loved ones more than a nice pair of socks.
There will be empty seats around the Christmas table. Cases are rising, with still scary amounts of hospitalisations and deaths. Even if we avoid a last-minute lockdown this year, hanging over us will be the dread of giving our loved ones more than a nice pair of socks. Long Covid is a bastard. Just surviving the disease can come at a high personal cost.
As if all that weren’t enough, the disappearance of jobs has left many family incomes decimated, whilst petrol and household fuel prices are at an all-time high, and inflation is on its way up, leaving more people with less to spend.
Above: Supply chain issues and staff shortages could have a knock on effect on the availability of many products.
Despite the above, having basically skipped a whole festive season last year, everyone’s desperate for the biggest and best Christmas they’ve ever had. Ordinarily, of course, this massive pent-up demand would be amazing news for the retailers. But supply chain and warehousing staff shortages leading to the spectre of empty food and toy shelves, and inevitable higher prices, mean there’s a real danger of seasonal campaigns over-promising and under-delivering. Driving demand for products that won’t exist or be too expensive to afford.
Ho-fucking-ho.
There’s a real danger of seasonal campaigns over-promising and under-delivering.
Companies that can afford to will no doubt be hedging their bets in order to mitigate reputational damage; twin-tracking Christmas campaigns, ready to switch to the one that becomes most relevant to whatever situation arises.
When it comes to messaging, this year’s festive campaigns will undoubtedly see some brands trying to prove their relevance with demonstrations of their commitment to sustainability, diversity and inclusion, mental health and corporate social responsibility.
And whilst those topics are worthy and incredibly important, when it comes to this particular Christmas, brands might want to take heed of some of the above insights and avoid anything that might appear too earnest or self-serving.
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Somesuch
- Director Raine Allen-Miller
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Somesuch
- Director Raine Allen-Miller
- Editor Trim
- VFX Untold Studios
- Sound 750mph
- Music Mr Pape
- Executive Creative Director Susan Hoffman
- Creative Director Hollie Walker
- HP James Guy
- Producer Iona Patterson
- DP Olan Collardy
- Line Producer James Waters
- Editor Seth Wilson
- Executive Producer Tom Igglesden
- VFX Producer Ella Glazer
- VFX Lead Tom Moreland
- Colorist Jack McGinity
- Head of Production Martin Critchley
- Music Supervisor/Producer Paul Brown
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Somesuch
- Director Raine Allen-Miller
- Editor Trim
- VFX Untold Studios
- Sound 750mph
- Music Mr Pape
- Executive Creative Director Susan Hoffman
- Creative Director Hollie Walker
- HP James Guy
- Producer Iona Patterson
- DP Olan Collardy
- Line Producer James Waters
- Editor Seth Wilson
- Executive Producer Tom Igglesden
- VFX Producer Ella Glazer
- VFX Lead Tom Moreland
- Colorist Jack McGinity
- Head of Production Martin Critchley
- Music Supervisor/Producer Paul Brown
Above: TK Maxx embraced a more uplifting and unusual approach for its 2021 Christmas spot.
As for tone, the brands who have actually followed the data will be steering away from over-emotional stories. People have shed enough tears over the last year-and-a-half. Instead, the smart marketers will be learning from the stratospheric rise of TikTok.
The best TV ads have unashamedly helped us, for 30 seconds at least, forget the reality of life and delve into all manner of romanticised fantasy.
Right now, people are choosing to lose themselves in something uplifting. Silly, entertaining, light, simple. Fortunately, that’s something we in the ad industry can help with. The best TV ads have unashamedly helped us, for 30 seconds at least, forget the reality of life and delve into all manner of romanticised fantasy.
But there’s something else people really need and want this year, over and above any kind of declaration of decency, or even entertainment: Just to enjoy their experience, as much as they possibly can.
And brands that are able to actively help people do that, not just serve them up a beautifully filmed advert with a great soundtrack, will be the ones that win hearts, minds and pockets.