La chaussette mourante
Shot on an iPhone, Frank Ychou's colourful tale of a sneaky sock is filled with technical prowess and cinematic flourishes.
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Credits
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- Agency TBWA\Media Arts Lab/London
- Production Company Frenzy Paris
- Director Frank Ychou
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Credits
powered by
- Agency TBWA\Media Arts Lab/London
- Production Company Frenzy Paris
- Director Frank Ychou
- Grade The Mill/London
- Sound Design 750mph
- Executive Producer Elsa Rakotoson
- Executive Producer Cedric Barus
- DP Elodie Tahtane
- Line Producer Julien Floutard
- Art Director Alexis Segura
- Editor Antoine Vareille
- Colourist James Bamford
- Post Production Supervisor Wassila Kailali
- Sound Designer Sam Ashwell
Credits
powered by
- Agency TBWA\Media Arts Lab/London
- Production Company Frenzy Paris
- Director Frank Ychou
- Grade The Mill/London
- Sound Design 750mph
- Executive Producer Elsa Rakotoson
- Executive Producer Cedric Barus
- DP Elodie Tahtane
- Line Producer Julien Floutard
- Art Director Alexis Segura
- Editor Antoine Vareille
- Colourist James Bamford
- Post Production Supervisor Wassila Kailali
- Sound Designer Sam Ashwell
Apple are always keen to shove their devices into the hands of filmmaking talent [as this feature of ours attests], but few have achieved such a splendid colour-pallet as Frenzy director Frank Ychou with his film La Chaussette.
Shot on an iPhone 11 Pro and dealing with the sneaky dying wish [pun intended] of the titular sock, Ychou's film summons complimentary comparisons with Amelie and Wes Anderson, utilising the impressive capture quality of the device to accentuate the gloriously vibrant art direction.
Achieving cinematic techniques such as contrazoom and racked focus, as well as showcasing the wide-angle capabilities of the lenses, this short pretty much masters Apple's clever technique of melding tech demos with genuine artistic endeavours.
