So, who did win Christmas 2019?
In his now annual report, Daniel Fisher, Global ECD for Unilever and Special Projects for Ogilvy, gathers on the family sofa with his two daughters to look over the Christmas commercials of 2019.
Before we start, let’s get this clear; there might be three of us belatedly reviewing this smorgasbord of shiny festive ads, but there’s only one ‘target market’ in this tale.
Only one of us is a salary collecting, bank account owning, credit card carrying member of society. As for the other two, well they do have a chipped, porcelain Winnie The Pooh money box containing, at the last count, £57.50 and a shameful IOU from a debtor also known as ‘Daddy’.
[It] will force me to think about whether the work will get me to hand over my hard earned coin or whether it will just make me smile and go on Amazon.
So, for the purposes of this article, from here on, I – the spending power in this rather peculiar triumvirate - shall be referring to them as Penniless Five-Year-Old and Penniless-Two-Year-Old.
Now, I’m not making this point to massage my puny ego or flat-track bully my children, but because, with all the talk about the struggles of the high street in the age of Greta, Brexit and Amazon, I thought this year I might try a different lens when reviewing these ads.
With all the talk about the struggles of the high street in the age of Greta, Brexit and Amazon, I thought this year I might try a different lens when reviewing these ads.
An unemotional - and, admittedly, unseasonal - lens that will force me to think about whether the work will get me to hand over my hard earned coin or whether it will just make me smile and go on Amazon.
So, here goes.
Above: Daniel Fisher and his reviewing cohorts, Penniless Five-Year-Old and Penniless Two-Year Old.
Asda
The Penniless Five-Year-Old and Penniless Two-Year-Old both really like this. Especially the snowman bit. As for me? Well it’s charming enough, but is it going to tempt me away from the family Christmas supermarket of choice? Sadly not (see below).
Credits
powered by- Agency AMV BBDO/London
- Production Company Stink/UK
- Director Tom Green
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Credits
powered by- Agency AMV BBDO/London
- Production Company Stink/UK
- Director Tom Green
- Post Production Electric Theatre Collective
- Editor Trim
- Audio Post Wave Recording Studios
- Audio Post Parv Thind
- Creative Director Andy Clough
- Creative Director Rich McGrann
- Copywriter Neil Clarke
- Art Director Jay Phillips
- Producer Nick Godden
- Producer Felicity Bamber
- Post Producer Matt Williams / (Head of Production)
- Editor James Forbes-Robertson
Credits
powered by- Agency AMV BBDO/London
- Production Company Stink/UK
- Director Tom Green
- Post Production Electric Theatre Collective
- Editor Trim
- Audio Post Wave Recording Studios
- Audio Post Parv Thind
- Creative Director Andy Clough
- Creative Director Rich McGrann
- Copywriter Neil Clarke
- Art Director Jay Phillips
- Producer Nick Godden
- Producer Felicity Bamber
- Post Producer Matt Williams / (Head of Production)
- Editor James Forbes-Robertson
M&S Jumper
The Penniless Five- and Two-Year-Olds are digging this. Really digging it. There may have even been an attempt to jump around themselves (badly). As for me? I quite like it too (though not enough for it to buy make me buy a St Michael's Christmas jumper).
Credits
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- Production Company Cherry
- Director Jake Nava
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Credits
powered by- Agency ODD/London
- Production Company Cherry
- Director Jake Nava
- Editing Final Cut/London
- Post Production MPC/London
- Sound Design Grand Central Recording Studios
- Music Negotiation Wake The Town
- Executive Producer Ben Cooper
- DP David Johnson | (DP)
- Editor Mike Radforth
- Colourist Yoomin Lee
- Post Producer Amie Kingsnorth
- Executive Post Producer Louise Unwin
- Sound Designer Munzie Thind
- Music Negotiator Tom Stanford
- Associate Creative Director Loui Bowes
- Executive Creative Director Nick Stickland
- Producer Dannie Stewart
Credits
powered by- Agency ODD/London
- Production Company Cherry
- Director Jake Nava
- Editing Final Cut/London
- Post Production MPC/London
- Sound Design Grand Central Recording Studios
- Music Negotiation Wake The Town
- Executive Producer Ben Cooper
- DP David Johnson | (DP)
- Editor Mike Radforth
- Colourist Yoomin Lee
- Post Producer Amie Kingsnorth
- Executive Post Producer Louise Unwin
- Sound Designer Munzie Thind
- Music Negotiator Tom Stanford
- Associate Creative Director Loui Bowes
- Executive Creative Director Nick Stickland
- Producer Dannie Stewart
Walkers
The Penniless Five- and Two-Year-Olds both like the music and ‘the lady’. I don’t mind it but I do wonder whether the reportedly mega bucks fee that ‘the lady’ was paid could have warranted a better script. Probably. I also have a strange nostalgia for the old Gary [Lineker] work.
Credits
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- Production Company Caviar/London
- Director Joseph Kahn
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Credits
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- Production Company Caviar/London
- Director Joseph Kahn
- Post Production The Mill/London
- Audio Post Wave Recording Studios
- US Production Co. Supply & Demand
- Chief Creative Officer Alex Grieve
- Chief Strategy Officer Craig Mawdsley
- Producer Anita Sasdy
- Executive Producer Nicola Doring
- Editor Scott Cato
- Sound Designer Parv Thind
- Talent Mariah Carey
Credits
powered by- Agency AMV BBDO/London
- Production Company Caviar/London
- Director Joseph Kahn
- Post Production The Mill/London
- Audio Post Wave Recording Studios
- US Production Co. Supply & Demand
- Chief Creative Officer Alex Grieve
- Chief Strategy Officer Craig Mawdsley
- Producer Anita Sasdy
- Executive Producer Nicola Doring
- Editor Scott Cato
- Sound Designer Parv Thind
- Talent Mariah Carey
Amazon
The Penniless sisters are bopping again. I start grumbling to myself about authenticity and Ken Loach films before the doorbell rings and interrupts my flow. (It’s another Amazon parcel).
Credits
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- Production Company SMUGGLER/London
- Director Henry-Alex Rubin
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Credits
powered by- Agency Lucky Generals/London
- Production Company SMUGGLER/London
- Director Henry-Alex Rubin
- Editing The Quarry
- Post Production The Mill/London
- SFX Post 750mph
- Music Soundtree Music
Credits
powered by- Agency Lucky Generals/London
- Production Company SMUGGLER/London
- Director Henry-Alex Rubin
- Editing The Quarry
- Post Production The Mill/London
- SFX Post 750mph
- Music Soundtree Music
Aldi
I said it last year, and I’ll say it again this year; I don’t really get this Kevin the Carrot thing. Judging by the bored look on the faces of the Penniless Five-Year-Old and Penniless Two-Year-Old, nor do they. So, no family peer pressure to visit Aldi going on here.
Credits
powered by- Agency McCann/Manchester
- Production Company Stink/UK
- Director Psyop
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Credits
powered by- Agency McCann/Manchester
- Production Company Stink/UK
- Director Psyop
- Editing Marshall Street Editors
- Audio Wave Recording Studios
- Music Sixty Four Music
- Executive Creative Director Dave Price / (Executive Creative Director)
- Creative Director Neil Lancaster
- Creative Clive Davis
- Creative Andy Fenton
- Producer Lucy Moore
- Editor John Mayes
- Sound Designer Parv Thind
Credits
powered by- Agency McCann/Manchester
- Production Company Stink/UK
- Director Psyop
- Editing Marshall Street Editors
- Audio Wave Recording Studios
- Music Sixty Four Music
- Executive Creative Director Dave Price / (Executive Creative Director)
- Creative Director Neil Lancaster
- Creative Clive Davis
- Creative Andy Fenton
- Producer Lucy Moore
- Editor John Mayes
- Sound Designer Parv Thind
McDonald’s
Talking of family peer pressure, both the Penniless Five- and Two-Year-Old love this. ‘Daddy what is that place?’, asks the five-year-old at the end. ‘Don’t worry about it’, I say, ‘look, there’s a dragon’...
Credits
powered by- Agency Leo Burnett/London
- Production Company Passion Animation Studios
- Director againstallodds
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Credits
powered by- Agency Leo Burnett/London
- Production Company Passion Animation Studios
- Director againstallodds
- Agency Producer Graeme Light
- Executive Creative Director Gareth Butters
- Executive Creative Director Peter Heyes
- Director againstallodds
- Production Assistant Paige Sullivan
- Head of CG Jason Nicholas
- CG Supervisor Simon Brown
- VFX Supervisor Dave Walker
- Production Design Reuben McNaughton
- Concept Art Reuben McNaughton
- Modelling Character Mattias Bjurstrom
- Shading Simon Brown
- Shading Alex Holman
- Animator Pascale Bories
- FX Colin Perret
- Lighting & Rendering Alex Holman
- Sound Design Anthony Moore
- Producer Sean Craigie-Atherton
- Live Action Production Co. Outsider
- Head of Production Mike Turoff
- Editor Tim King
- Post Production Framestore
- Producer Sian Jenkins
- Live Action Production Company Outsider
- Live Action Director James Rouse
- Executive Producer/Managing Director Debbie Crosscup
- Head of Production Mike Turoff
- Producer Sibylle Preuss
- Producer Sian Jenkins
- Producer Benji Howell
- Chief Creative Officer Chaka Sobhani
- Creative Gareth Butters
- Creative Director Pete Heyes
- Head of TV Graeme Light
Credits
powered by- Agency Leo Burnett/London
- Production Company Passion Animation Studios
- Director againstallodds
- Agency Producer Graeme Light
- Executive Creative Director Gareth Butters
- Executive Creative Director Peter Heyes
- Director againstallodds
- Production Assistant Paige Sullivan
- Head of CG Jason Nicholas
- CG Supervisor Simon Brown
- VFX Supervisor Dave Walker
- Production Design Reuben McNaughton
- Concept Art Reuben McNaughton
- Modelling Character Mattias Bjurstrom
- Shading Simon Brown
- Shading Alex Holman
- Animator Pascale Bories
- FX Colin Perret
- Lighting & Rendering Alex Holman
- Sound Design Anthony Moore
- Producer Sean Craigie-Atherton
- Live Action Production Co. Outsider
- Head of Production Mike Turoff
- Editor Tim King
- Post Production Framestore
- Producer Sian Jenkins
- Live Action Production Company Outsider
- Live Action Director James Rouse
- Executive Producer/Managing Director Debbie Crosscup
- Head of Production Mike Turoff
- Producer Sibylle Preuss
- Producer Sian Jenkins
- Producer Benji Howell
- Chief Creative Officer Chaka Sobhani
- Creative Gareth Butters
- Creative Director Pete Heyes
- Head of TV Graeme Light
John Lewis/Waitrose
...And there is too. ‘Love that dragon! Love that dragon!’ has greeted this film every time it’s appeared on our family screen. It even briefly knocked Peppa Pig off her spot as most watched thing on loop on TV the weekend it came out. I am equally impressed, especially by the way they managed to make a John Lewis ad work for Waitrose without compromising either (deceptively tricky brief, that) and I have already awarded Waitrose the honour of supplying this year’s Christmas shop (mind you, that could be because the ad for the other contender, the one starring Paddy and Emma, didn’t do much for me).
Credits
powered by- Agency adam&eveDDB/London
- Production Company Blink Productions
- Director Dougal Wilson
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Credits
powered by- Agency adam&eveDDB/London
- Production Company Blink Productions
- Director Dougal Wilson
- Editor Final Cut/London
- Post Production Untold Studios
- Music Supervisor Leland Music
- Sound Designer Factory
- DP Joost Van Gelder
- Producer Ewen Brown
- Production Manager Ellie Britton
- Production Designer Andy Kelly
- Editor Joe Guest
- Colorist Jean-Clement Soret
- VFX Supervisor Alex Gabucci
- VFX Supervisor Amir Bazazi
- Executive Producer VFX Ian Berry
- Creative Director VFX Diarmid Harrison-Murray
- Animation Supervisor Tim van Hussen
- Sound Designer Anthony Moore
- Art Director Matt Gay
- Chief Creative Officer Richard Brim
- Chief Executive Officer Tammy Einav
- Creative Simon Lloyd
- Managing Director Paul Billingsley
- Producer Sally Pritchett
Credits
powered by- Agency adam&eveDDB/London
- Production Company Blink Productions
- Director Dougal Wilson
- Editor Final Cut/London
- Post Production Untold Studios
- Music Supervisor Leland Music
- Sound Designer Factory
- DP Joost Van Gelder
- Producer Ewen Brown
- Production Manager Ellie Britton
- Production Designer Andy Kelly
- Editor Joe Guest
- Colorist Jean-Clement Soret
- VFX Supervisor Alex Gabucci
- VFX Supervisor Amir Bazazi
- Executive Producer VFX Ian Berry
- Creative Director VFX Diarmid Harrison-Murray
- Animation Supervisor Tim van Hussen
- Sound Designer Anthony Moore
- Art Director Matt Gay
- Chief Creative Officer Richard Brim
- Chief Executive Officer Tammy Einav
- Creative Simon Lloyd
- Managing Director Paul Billingsley
- Producer Sally Pritchett
Argos
Again, a smash hit all round with the triumvirate. It’s done the impossible and made Argos seem cool, and in a way which is totally ownable and on-brand. Re-positioning a catalogue that will (for me at least) be forever be associated with the window prank as a Book of Dreams is an impossible task but this film has pulled it off. The Penniless Five-Year-Old is particularly transfixed, but fortunately doesn’t go as far as requesting a drum kit for Christmas.
Credits
powered by- Agency The&Partnership/London
- Production Company Stink/UK
- Director Traktor
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Credits
powered by- Agency The&Partnership/London
- Production Company Stink/UK
- Director Traktor
- Music Supervisor Leland Music
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Director Danny Hunt
- Producer Alfie Glover-Short
- Producer Richard Ulfvengren
- DP Joost Van Gelder
- Editor Ryan Beck
- Colorist Jean-Clement Soret
- Shoot Supervisor Kamen Markov
- Producer Phil Whalley
- Sound Designer Munzie Thind
Credits
powered by- Agency The&Partnership/London
- Production Company Stink/UK
- Director Traktor
- Music Supervisor Leland Music
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Director Danny Hunt
- Producer Alfie Glover-Short
- Producer Richard Ulfvengren
- DP Joost Van Gelder
- Editor Ryan Beck
- Colorist Jean-Clement Soret
- Shoot Supervisor Kamen Markov
- Producer Phil Whalley
- Sound Designer Munzie Thind
Sainsbury’s
The Penniless Five-Year-Old was mesmerised by this one (the Penniless Two-Year-Old not so much). But what about me? Well, I love it for its ambition and its epic scale and its cool, meta, pop culture references. But – but - I’m not sure what it’s supposed to make me think. Or do. I’m not sure it’s going to make me re-think Sainsbury’s, or get me to pop down there to do my Christmas shop. Or even to buy a clementine. And I bloody love clementines, me.
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Ninian Doff
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Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Ninian Doff
- Production Service Icon Films
- Editing Stitch
- Post Production Time Based Arts
- Assistant Director Rob Blishen
- Managing Director James Sorton
- Producer Lucy Kelly
- Producer George Saunders
- Production Manager Ben Burdock
- Production Designer Jon Henson
- DP John Mathieson
- DP (Food) Matt Fox / (DP)
- Editor Leo King
- Edit Managing Director Angela Hart
- 2D Lead Leo Weston
- CG Lead Sam Osborne
- Post Producer Josh Robinson
- Creative Tom Bender
- Creative Tom Corcoran
- Creative Tomas Coleman
- Creative Mat Kramer
- Producer Richard Adkins
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Ninian Doff
- Production Service Icon Films
- Editing Stitch
- Post Production Time Based Arts
- Assistant Director Rob Blishen
- Managing Director James Sorton
- Producer Lucy Kelly
- Producer George Saunders
- Production Manager Ben Burdock
- Production Designer Jon Henson
- DP John Mathieson
- DP (Food) Matt Fox / (DP)
- Editor Leo King
- Edit Managing Director Angela Hart
- 2D Lead Leo Weston
- CG Lead Sam Osborne
- Post Producer Josh Robinson
- Creative Tom Bender
- Creative Tom Corcoran
- Creative Tomas Coleman
- Creative Mat Kramer
- Producer Richard Adkins
Very
Surprisingly, the Penniless Five-Year-Old and Penniless Two-Year-Old don’t care for this. ‘It’s boring!’ says the 5 year old. She’s on point.
Credits
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- Production Company Passion Animation Studios
- Director againstallodds
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Credits
powered by- Agency St Luke's/London
- Production Company Passion Animation Studios
- Director againstallodds
- Post Production nineteentwenty
- Art Director Joanne Boyle
- Producer Jenny Busby
- Producer Sibylle Preuss
- Editor againstallodds
- Sound Designer Ben Leeves
- Music Supervisor Dan Neale
- Chief Creative Officer Alan Young
- Creative Partner Julian Vizard
Credits
powered by- Agency St Luke's/London
- Production Company Passion Animation Studios
- Director againstallodds
- Post Production nineteentwenty
- Art Director Joanne Boyle
- Producer Jenny Busby
- Producer Sibylle Preuss
- Editor againstallodds
- Sound Designer Ben Leeves
- Music Supervisor Dan Neale
- Chief Creative Officer Alan Young
- Creative Partner Julian Vizard
Ikea
This one definitely isn’t boring. For me, it’s the best thing on screen this year. Great insight and executed in a very fresh way that begs repeat viewing. It’s even inspired some controversial household clearances at Chez Fisher. As for the Penniless Five- and Two-Year-Olds? Well, the coup of landing D Double E to provide the lyrics for your ads might have gone over their heads but it’s got animated singing household objects in it, and what’s not to love about that?
Credits
powered by- Agency Mother/London
- Production Company MJZ/London
- Director Tom Kuntz
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Credits
powered by- Agency Mother/London
- Production Company MJZ/London
- Director Tom Kuntz
- Creative Director Thom Whitaker
- Producer Jenny Fan
- Editing Whitehouse Post/London
- VFX/Post Electric Theatre Collective
- Sound Design 750mph
- Executive Producer Julia Bidakowska Andren
- Production Manager Maciek Polkowski
- Production Service Tango Production
- Lead Artist/Designer James Sindle
- 2D Lead Animator James Belch
- 2D Animator Chris Fraser
- 2D Animator Tomer Epsthein
- 3D Animator Jordan Dunstall
- 3D Animator Edwin Leeds
- Colorist Luke Morrison
- On-line Editor James Belch
- Music Company Wake The Town
- Executive Producer Magda Krimitsou
- Producer Emma Butterworth
- Production Manager Daniel Gay
- Production Designer Chris Oddy
- DP Chris Soos | (DP)
- Editor Russell Icke
- Post Producer Magda Krimitsou
- Post Coordinator Larisa Covaciu
- Post Creative Director James Sindle
- 2D Lead James Belch
- 3D Lead Patrick Krafft
- 2D Artist Chris Fraser
- 2D Artist Luke Morrison
- Colourist Luke Morrison
- Exec Service Producer Gosia Zatorska Trojanowska
- 3D Lead Animator Patrick Krafft
- 3D Animator Mark Bailey
- 3D Animator Remy Herisse
- 3D Animator Adrian Lan Sun Luk
- Creative Director Danielle Outhwaite-Noel
- Art Director Pauline Ashford
- Copywriter Mike Kennedy
Credits
powered by- Agency Mother/London
- Production Company MJZ/London
- Director Tom Kuntz
- Creative Director Thom Whitaker
- Producer Jenny Fan
- Editing Whitehouse Post/London
- VFX/Post Electric Theatre Collective
- Sound Design 750mph
- Executive Producer Julia Bidakowska Andren
- Production Manager Maciek Polkowski
- Production Service Tango Production
- Lead Artist/Designer James Sindle
- 2D Lead Animator James Belch
- 2D Animator Chris Fraser
- 2D Animator Tomer Epsthein
- 3D Animator Jordan Dunstall
- 3D Animator Edwin Leeds
- Colorist Luke Morrison
- On-line Editor James Belch
- Music Company Wake The Town
- Executive Producer Magda Krimitsou
- Producer Emma Butterworth
- Production Manager Daniel Gay
- Production Designer Chris Oddy
- DP Chris Soos | (DP)
- Editor Russell Icke
- Post Producer Magda Krimitsou
- Post Coordinator Larisa Covaciu
- Post Creative Director James Sindle
- 2D Lead James Belch
- 3D Lead Patrick Krafft
- 2D Artist Chris Fraser
- 2D Artist Luke Morrison
- Colourist Luke Morrison
- Exec Service Producer Gosia Zatorska Trojanowska
- 3D Lead Animator Patrick Krafft
- 3D Animator Mark Bailey
- 3D Animator Remy Herisse
- 3D Animator Adrian Lan Sun Luk
- Creative Director Danielle Outhwaite-Noel
- Art Director Pauline Ashford
- Copywriter Mike Kennedy