Spring breakers are given a sobering list of enforcements in this clever spoof from VML to highlight the city’s rules and regulations.
A poignant animated campaign from the stain-remover brand portrays the invisible stains that bullying leaves on a child’s emotional wellbeing.
The Worst Girl Gang Ever Foundation, a UK-based charity supporting those affected by miscarriage and stillbirth, launches a powerful film about the shattered hopes that accompany the loss of a baby.
The Amsterdam-based production company unveils a satirical short film mocking the hype around AI’s ability to replace real human creatives.
Environmental activists execute an impactful piece of performance art featuring the once-cherished belongings of Filipino communities wrecked by climate change.
In a surreal, Tarantino-inspired film for Red Bull, Sebastian Lopez directs a dodgy trade that goes awry when the dealer's pet is mistaken for a racoon.
The Bite Collective director creates what can only be described as java-porn (brew tube?) in this hyper-sensorial spot for Löfbergs from ARK Agency.
Starring Ambika Mod (One Day), this searing spot, created by Mother for the environmental campaign group, literally crackles with dark wit as it highlights society’s refusal to wake up and smell the burning planet.
Spring breakers are given a sobering list of enforcements in this clever spoof from VML to highlight the city’s rules and regulations.
A poignant animated campaign from the stain-remover brand portrays the invisible stains that bullying leaves on a child’s emotional wellbeing.
The Worst Girl Gang Ever Foundation, a UK-based charity supporting those affected by miscarriage and stillbirth, launches a powerful film about the shattered hopes that accompany the loss of a baby.
The Amsterdam-based production company unveils a satirical short film mocking the hype around AI’s ability to replace real human creatives.
Environmental activists execute an impactful piece of performance art featuring the once-cherished belongings of Filipino communities wrecked by climate change.
In a surreal, Tarantino-inspired film for Red Bull, Sebastian Lopez directs a dodgy trade that goes awry when the dealer's pet is mistaken for a racoon.
The Bite Collective director creates what can only be described as java-porn (brew tube?) in this hyper-sensorial spot for Löfbergs from ARK Agency.
Starring Ambika Mod (One Day), this searing spot, created by Mother for the environmental campaign group, literally crackles with dark wit as it highlights society’s refusal to wake up and smell the burning planet.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
The Gifted Youth director's showstopping spot for Totino's brought the creative team from niche Netflix hit I Think You Should Leave to a massive Super Bowl audience... and then had them spit out their dips. We sat down with Mathias to find out how she rocked the Big Game's most anarchic spot.
With footage created entirely using AI, the Joyrider director's mesmerising music video for electronic artist Steve Moore is a modern re-imagination of the medieval Danse Macabre. Here, Robinson shares how he fast-tracked the filmmaking process, why creating with AI should be fun, and the surprising feedback the promo received on social media.
For its flagship Super Bowl spot, Uber Eats and agency Special Group enlisted Matthew McConaughey to explore a delicious conspiracy theory - that American Football was just a ruse invented to sell food. We sat down with O Positive director Jim Jenkins to get the skinny on how the era-jumping commercial was put together.
Co-directors Chris Buongiorno and Damian Kulash talk us through the extensive planning, numerical headaches, and mental stamina it took to shoot the A Stone Only Rolls Downhill music video.
Blinkink's Isabel Garrett shares the incredible feat of bringing 27 other filmmakers and artists together – in a mere four weeks – to create a patchwork planet in film: a montage musing on the variety of life through a multiplicity of POVs from around the globe.
Sam Swisher becomes Managing Director, North America Original Content, and Jeana Muñoz also tapped as Global Head of Human Resources.
Previously working with Nomad as a freelancer, the sound designer and music composer joins to grow the audio department and shape Nomad's sound and music services.
Production Company Not Normal continues to strengthen its position in The Americas.
The Brazilian director Gabriel Novis has officially joined Friend for UK representation.
Global creative studio Psyop announces the signing of UK-based director JO.
Claire Strickett returns to VCCP, joining from Anomaly to oversee global strategy on Primark, and Ben Phillips joins from Mekanism as Group Planning Director for Cadbury Global.
Sam Swisher becomes Managing Director, North America Original Content, and Jeana Muñoz also tapped as Global Head of Human Resources.
Previously working with Nomad as a freelancer, the sound designer and music composer joins to grow the audio department and shape Nomad's sound and music services.
Production Company Not Normal continues to strengthen its position in The Americas.
The Brazilian director Gabriel Novis has officially joined Friend for UK representation.
Global creative studio Psyop announces the signing of UK-based director JO.
Claire Strickett returns to VCCP, joining from Anomaly to oversee global strategy on Primark, and Ben Phillips joins from Mekanism as Group Planning Director for Cadbury Global.
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Request a demoContinuing our conversations with this year's shots Awards The Americas Head Judges, De La Revolución and new–land director/photographer Abdi Ibrahim explains that he'll be looking out for hidden messages, cohesive narratives and creative problem solving in his category– Music Video.
Kirsten Noll, Managing EP at Scholar and this year's Head Judge for the Animation & VFX category for the shots Awards The Americas, talks challenges, changes and being inspired by frogs.
With a trip to the Academy Awards on the horizon for director Victoria Warmerdam, she talks about the disbelief of being nominated, the gratitude she has for the Young Director Award, and how an online security measure was her inspiration.
We hear from Coffee & TV London colourist Tash Hicks, where she talk about her camera collection, the allure of the grading suite, and some cinematic videos.
Guy Savin, Senior Editor at Marshall Street Editors, on why the industry misses an advertising legend, the movie that paved his way into filmmaking, and the TV show that will always make him cry.
Ogilvy Madrid senior creative team Antonio Pelufo and Alba López Peláez talk us through the notebooks, coffee cups and lucky balls that keep them creatively inspired.
Talking to consumers is harder than ever, says Clare Turner, Chief Commercial Officer at Pearl & Dean. Too much noise, too many interruptions... but research suggests cinema can play a starring role, and not just on the screen.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
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