The Insight

Percipient thought-pieces and opinions from some
of the world’s most respected industry leaders.

Olaf van Gerwen by Olaf van Gerwen on 2nd October 2026

Olaf van Gerwen, Founder & Global Creative Director at Chuck Studios, finds that AI-generated food may be everywhere, but our finely tuned appetite for the real thing means even the smallest synthetic slip-up can leave a bad taste.

28th Sep
How an agentic AI course changed my mind about AI adoption

How an agentic AI course changed my mind about AI adoption

Rather than seeing artificial intelligence as a threat to her job, FIN Studios Head of Studio, Tabitha Onofri, chose to understand it. Now, she believes it can be a huge benefit to the role she - and others - have; you just have to know where to start.

25th Sep
How the next era of documentaries will bring audiences inside the story

How the next era of documentaries will bring audiences inside the story

Jay Allen, Emmy-nominated producer and VP of Unscripted at SunnyBoy Entertainment, discusses the evolution of unscripted storytelling and why audiences are gravitating toward immersive nonfiction experiences and behind-the-scenes style content.

22nd Sep
Fear and loathing in artificial reality

Fear and loathing in artificial reality

Ben Smith, a visual storytelling veteran, Co-Founder and ECD at The Mayda Creative co., explores the cultural tension between authenticity and artifice as he journeys through the artificial landscapes of media production.

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Greenhushing or greenshouting: How to market the message of climate catastrophe
21st Sep
REALITY FOCUS

Greenhushing or greenshouting: How to market the message of climate catastrophe

As we face up to the alarming realities of climate change, Tracey Lee, Strategic Advisor to Creatives for Climate, answers questions about how the ad industry can put its influence to good use by creating awareness and change without causing panic.

18th Sep
The best brand characters have strings attached

The best brand characters have strings attached

Drawing on her experience creating a brand spokespuppet, Eli Vasiliou, Creative Director at Thinkingbox London, explores why puppets make such memorable advertising characters, and how physical craft, human performance and a little unpredictability give them particular appeal in an age of AI-generated perfection.

The shots Podcast: Best use of claymation

The shots Podcast: Best use of claymation

The face-off gets crafty in tribute to World Play-Doh Day, as Co-Editors Danny Edwards and Jamie Madge choose their top five clay-animated ads and pop promos.

16th Sep
Can audiences connect to synthetic characters?

Can audiences connect to synthetic characters?

Oriana Tinti, creator of Victoria D. the AI-generated protagonist of an online drama series discusses AI and the tension between emotional truth and digital imagery.

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Be more Bosch: Why marketing needs more emotion
15th Sep

Be more Bosch: Why marketing needs more emotion

Making people feel something is the aim of both art and advertising but, says Annie Harte, Audience Strategy Lead at eight&four, the latter usually relies on highlighting one specific emotion; happiness. So, what if advertisers embraced the approach of 15th century artist Hieronymus Bosch, and targeted the gamut of human emotions?

15th Sep
Is craft becoming a luxury good?

Is craft becoming a luxury good?

Justine Armour, International Chief Creative Officer, at 72andSunny talks us through the complexity of crafting ads, and how we can learn to take our time with perfecting the art.

14th Sep
Natural is a production choice: What child performers reveal about authenticity

Natural is a production choice: What child performers reveal about authenticity

Drawing on his experience supporting a young family member’s acting career, Toronto-based writer, filmmaker and independent researcherJoshua W.J. Brown argues that authentic child performances depend not on the absence of production, but on more thoughtful casting, temperament, direction and expectations.

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