The Insight

Percipient thought-pieces and opinions from some
of the world’s most respected industry leaders.

Kriston Rucker by Kriston Rucker on 19th August 2026

Red Bull has managed it, so too has Patagonia, but other cult brands have suffered when attempting to appeal to the masses. Kriston Rucker, Partner at Love & War, looks at the reasons why, and what A24's new deal might mean for the company.

13th Aug
The girl in the Elsa dress

The girl in the Elsa dress

As a father, and as an agency owner, Aidan Gibbons, Executive Creative Director & Co-Founder of Not Just Any, is dismayed by the recent changes to the UK's Equality & Human Rights Commission's code of practice. In an industry - and a world - where there is no such thing as 'normal', will the new rules change that?

12th Aug
An opinion about AI, that has nothing to do with AI

An opinion about AI, that has nothing to do with AI

Imagination and insight are at the heart of great advertising, believes Morgan Whitlock, who aims to bring those traits into TheGardening.Club as Executive Producer of the VFX and AI studio. Because, as production becomes more competitive, simply using this new technology as a cost-saving device isn't enough.

11th Aug
Microdramas go big: The age of brands renting attention is over

Microdramas go big: The age of brands renting attention is over

Online video viewing is as big as ever, but habits have changed and brands need to change with them. Olly Lewis, SVP & Head of Creative Studio at StudioB, says that understanding the burgeoning sector of microdramas is one way to do that.

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Straight shooting from 2026's Young Arrows Co-Chairs
6th Aug
YOUNG ARROWS 2026

Straight shooting from 2026's Young Arrows Co-Chairs

The Young Arrows shines a light on the industry's up-and-coming talent and, here, this year's jury Co-Chairs, Love Song MD and EP Shirley O'Connor, and 4Creative ECD David Wigglesworth, talk about the best ways to encourage young people into the industry, the challenges in doing so, and why the Young Arrows has an important role to play.

5th Aug
Snapshots - Kerry Tucker, Virtue

Snapshots - Kerry Tucker, Virtue

shots Co-Editor Jamie Madge talks to Virtue Worldwide President Kerry Tucker about branded entertainment, client nerves, toy catalogue diss tracks and why a great idea should never depend entirely on getting the talent.

4th Aug
Gen Z isn’t failing the creative industry, it's the other way around

Gen Z isn’t failing the creative industry, it's the other way around

Larisa Wong, Creative Strategist at Anomaly and Chair of the Brixton Finishing School Alumni Board, argues that the industry is currently failing the next generation of creatives. She says that rather than asking them to jump through endless hoops, or evaluating new talent through an outdated lens, the industry should be adapting to them.

31st Jul
Is it game over for performative sponsorship in women’s sports?

Is it game over for performative sponsorship in women’s sports?

Katie Mitchell, Managing Director at Seen Studios, argues that while we’ve seen spectacular audience growth in women’s sports, brands need to catch up with the opportunities for cultural change that this shift brings.

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Snapshots - Chanelle Kalfas, The New York Times
28th Jul

Snapshots - Chanelle Kalfas, The New York Times

shots Co-Editor Jamie Madge talks to The New York Times’ Chanelle Kalfas about truth, subscriptions, Wordle, recipes and how a 175-year-old publisher keeps making itself part of people’s daily lives.

24th Jul
The long and short of it: What The Odyssey teaches marketers about attention

The long and short of it: What The Odyssey teaches marketers about attention

Following the recent, hugely successful release of Christopher Nolan's The Odyssey, Dan Wood, SVP Sport and Entertainment at WPP Media, examines why short doesn't always equal sweet.

17th Jul
The craft crisis: Why creativity’s future belongs to the brave

The craft crisis: Why creativity’s future belongs to the brave

After a simple call for freelance producers generated hundreds of responses, many from agency staff desperate for a way out, Nikki Weiss-Goldstein asks what the industry is losing as production becomes increasingly operational, disconnected and risk-averse.

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