Percipient thought-pieces and opinions from some of
the world’s most respected industry leaders.
While the saying might go that 'imitation is the sincerest form of flattery', that doesn't always hold true, especially if your livelihood depends on a degree of originality. So, asks Amy Kean, why do some women feel it's ok to steal another woman's idea?
Jon Williams, Founder and CEO of The Liberty Guild suggests that the way we bring talent into adland is past its sell by date – the only way to save the industry is to seek creativity in different places.
As the landscape rapidly shifts for both TV and advertising, Jack Newman, MD and Co-founder of Bullion Productions, part of All3Media, explores how breaking down traditional barriers between the two industries and embracing new collaborations can unlock fresh opportunities to survive and evolve.
Talking to consumers is harder than ever, says Clare Turner, Chief Commercial Officer at Pearl & Dean. Too much noise, too many interruptions... but research suggests cinema can play a starring role, and not just on the screen.
As the Super Bowl fades into a distant memory of alien antics, celebrity sea creatures and scenic equine adventures, Steve Howell, CCO at Dark Horses, examines what truly worked this year, and how the usual contenders stacked up against some promising newcomers.
Watching what you want, when you want, can be a great convenience, but is hyper-personalisation diluting the cultural impact of advertising? Cat Botibol, Business Development Director at Secret Cinema, thinks so, and believes creativity works best in crowds.
Since it began in 1966, the NFL’s annual league championship game has become so much bigger than just a big game, frequently commanding the largest audience among all American broadcasts during the year. Alexander Michaelsen, ECD of Jung von Matt SPORTS analyses how the showbiz around the Super Bowl is encouraging global sporting events to up their game.
In advertising, like in life, timing can be everything. While previous thinking told us pre-releasing a new Super Bowl campaign was a creative no-no, that's not necessarily the case anymore. Kerry O'Connor, Group Strategy Director at McKinney, looks at why.
What ads would make you sit up and take notice at the Super Bowl? Is the Big Game's demand for anthropomorphised animals and celebrity cameos really going to score big, asks John Carstens, Chief Creative Officer at Team DDB, or should brands – and their agencies – try to quiet the room through the power of contrast?