Marcel creates a smartly silly campaign for the payments company in which AI images are used to show people how easily tricked they can be.
Hockey legends Auston Matthews and Conor McDavid hit the ice as miniature figurines in a dynamic spot animated by Freefolk for the fast-food brand.
This heartwarming spot for the homeware brand depicts the comfort of returning to one's dwelling after a busy day and a vexing journey.
A shocking campaign created by Ardmore Group highlights the devastating and avoidable consequences of speeding.
This exuberant campaign marks the beer brand’s partnership with Premier League football by celebrating fans and matchday rituals that travel across time zones.
A man drowns in his notifications in an impressively crafted spot directed by Pedro Becker for the Brazilian mobile phone company.
In an impactful initiative for Musée de la Grande Guerre, real portraits of soldiers are damaged to convey the lasting psychological effects of serving in the First World War.
In a rousing call to home-improvers - Come On, Let's Get To Work - AUSTRALIE agency and director Scott Lyon fly us through some big, small, and altogether messy jobs.
Marcel creates a smartly silly campaign for the payments company in which AI images are used to show people how easily tricked they can be.
Hockey legends Auston Matthews and Conor McDavid hit the ice as miniature figurines in a dynamic spot animated by Freefolk for the fast-food brand.
This heartwarming spot for the homeware brand depicts the comfort of returning to one's dwelling after a busy day and a vexing journey.
A shocking campaign created by Ardmore Group highlights the devastating and avoidable consequences of speeding.
This exuberant campaign marks the beer brand’s partnership with Premier League football by celebrating fans and matchday rituals that travel across time zones.
A man drowns in his notifications in an impressively crafted spot directed by Pedro Becker for the Brazilian mobile phone company.
In an impactful initiative for Musée de la Grande Guerre, real portraits of soldiers are damaged to convey the lasting psychological effects of serving in the First World War.
In a rousing call to home-improvers - Come On, Let's Get To Work - AUSTRALIE agency and director Scott Lyon fly us through some big, small, and altogether messy jobs.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
Kicking off March and April's Movement Focus, VFX Supervisor at Black Kite Studios, Dan Moore, and Riff Raff directors Smith & Foulkes walk us through the whimsical behind-the-scenes details of Telstra's Wherever We Go campaign.
In The Gastronaut, the supermarket brand showed just how crappy life can be without access to sufficient middle-class morsels. shots caught up with Wonderhood creatives Tad Buxton and India Penny, and SMUGGLER director Tom Speers, to find out how they gave a space station such a quirky atmosphere.
This campaign, created for Waka Kotahi New Zealand Transport Authority by McCann NZ, urges drivers to take a speed check and resist the monstrous urges forcing them to drive faster. Wanting to visualise these urges with as much authenticity as possible, director Michael Hili and the FINCH production team set about making a trilogy of fiends purely by hand.
In what might be the most snack-unfriendly spot of this year's Big Game, Quality Meats and The Perlorian Brothers are bringing clumps of hair to life to perform a painful plucked power-ballad. shots caught up with the creative team to find out just what makes an offcut croon.
Taking something as unpredictable as combustion and utilising it in stop-motion is a uniquely deranged undertaking... so step forward, seasoned element wrangler Yannis Konstantinidis. Jamie Madge caught up with Konstantinidis and BBC Creative's Paul Bailey to find out how they started the fire.
Doma appoints Brown and Ossipoff as Post Producers, continuing the studio’s expansion and reinforcing its commitment to building depth across the entire post-production team.
The UK based global team has welcomed three major leadership positions, building on the recent expansion of its client portfolio with major global brands.
New leadership hires Jon Mackey and Alec Setten strengthens brand, agency, immersive, and post partnerships as global growth accelerates.
Expanded leadership role reflects Stept’s growth into a fully integrated creative, production, and post-production studio serving brands, agencies, and entertainment partners.
Operating out of Toronto, Los Angeles, and Seoul, the directing duo has carved out a unique space in commercial filmmaking defined by relentless excitement and vibrancy.
Industry veterans from production, post production, and agencies are currently promoting the entry period for the AICP Awards suite.
Doma appoints Brown and Ossipoff as Post Producers, continuing the studio’s expansion and reinforcing its commitment to building depth across the entire post-production team.
The UK based global team has welcomed three major leadership positions, building on the recent expansion of its client portfolio with major global brands.
New leadership hires Jon Mackey and Alec Setten strengthens brand, agency, immersive, and post partnerships as global growth accelerates.
Expanded leadership role reflects Stept’s growth into a fully integrated creative, production, and post-production studio serving brands, agencies, and entertainment partners.
Operating out of Toronto, Los Angeles, and Seoul, the directing duo has carved out a unique space in commercial filmmaking defined by relentless excitement and vibrancy.
Industry veterans from production, post production, and agencies are currently promoting the entry period for the AICP Awards suite.
Whether he’s adding drama to DIY or rhythm to the Rolling Stones, Carlos Font Clos is a master at finding emotion in the edit. The shots Editor of the Year tells Selena Schleh about working in an invisible craft - and why cutting is all about the ‘click’
On February 5th, Electric Theatre Collective and Biscuit Filmworks brought together a group of promising emerging talent for their annual Young Producers Dinner. shots joined them to catch up with a new generation on what inspires them, challenges them, and how they’re fairing in an ever-shifting industry.
With wellness – of people and the planet – as a cornerstone, creative production studio Lowkey Films does things differently. Its founders Jamie Gamache and Connor O’Hara are proud to report it was the first UK feature film production company to achieve B Corp certification. Lucy Aitken heads to south London to find out more.
The Ogilvy Spain CEO shares the good books, good booze and good habits that help him make sense of busy days.
Known for his raw, emotionally grounded storytelling, Hummingbird Content Studio director Parker Foster tells us about the importance of honesty, kindness, and comfortable silence on set.
This week we speak with Stink director PETR about his time growing up in the Czech Republic, his A$AP Rocky fandom, and his Seiko watch.
Elliott Starr, Creative Partner at Belief Studio, thinks creative companies are like an octopus; sleek and smooth on top, with arms beneath the surface that can be chaotic and unpredictable, but often brilliant. Most attempts to use AI to make creativity more efficient, Starr thinks, will be a step towards sterility and predictability.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
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