Danny Edwards is the co-editor of shots and, alongside Jamie Madge, is responsible for the editorial output of shots and its events.
SLMBR PRTY director Victoria Rivera on the creative opportunities of an empty notebook, a recent film with a "perfect" ending, and why, in TV, there's B.S. and A.S.
Coming to the end of its Moment of Truth campaign, Argentine private healthcare company OSDE follows the inspiring journey of Mauro Depergola.
After individual successes in the advertising arena, and critical praise working together in the comic book industry, the creative partnership of Chris Baker and Matt Fitch joined forces with producer Charlie Woodall to take on the film world. Now, as their award-winning short Backmask premieres on shots, they explain why features are next on their to-do list.
Modern Post Editor Danielle Schneiderman talks Timothée Chalamet press tours and Meryl Streep and Goldie Hawn blowing each other to smithereens, as she reveals what's on her creative radar.
Guy Savin, Senior Editor at Marshall Street Editors, on why the industry misses an advertising legend, the movie that paved his way into filmmaking, and the TV show that will always make him cry.
Kirsten Noll, Managing EP at Scholar and this year's Head Judge for the Animation & VFX category for the shots Awards The Americas, talks challenges, changes and being inspired by frogs.
With a trip to the Academy Awards on the horizon for director Victoria Warmerdam, she talks about the disbelief of being nominated, the gratitude she has for the Young Director Award, and how an online security measure was her inspiration.
This branded documentary for HSBC features Jodie Ounsley, aka Fury from BBC One's The Gladiators, as she tells her story of being born deaf, having cochlear implants, and her journey through sport.
As we continue to hear from the Head Judges of this year's shots Awards The Americas, Luke Ricci, President of RSA Films and The Directors Bureau, and the man leading this year's Direction category, talks conceptual thinking, the importance of validation and his favourite ever campaign.
Andrew De Zen, director at Bonaparte and Stept Studios, talks animated inspiration, the danger of being too comfortable, and why uncool people should take over the industry, as he reveals what's on his creative radar.
If female athletes are told that they can't stand out, can't compete, can't fill a stadium, then Nike's here to tell us different.
The actor rewrites the story of Goldilocks and the Three Bears as he – and a trio of Ram trucks – take centre stage.
Danny Edwards is the co-editor of shots and, alongside Jamie Madge, is responsible for the editorial output of shots and its events. He has served on a variety of advertising award show juries including the AICP Awards, the Young Director Awards, the Epica Awards and the Music Video Awards, and has chaired events in Cannes as well as other leading festivals.
He has also written for media publications including Screen International, The Cannes Lions Daily and The Guardian. Danny hates musicals, loves comic books and is ambivalent towards Marmite.
On My Radar; Features; Profiles; New work