FIN Studios launches new talent slate
The award-winning, woman-owned creative studio offers premium talent while addressing the multifaceted content needs of modern agency and brand partners.
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Production company FIN Studios has debuted its first talent roster of visionary directors, editors, and AI-enhanced artists who work in concert with its collective of producers, sound designers, colourists, finishers and developers.
Its studio offerings and powerhouse talent slate serve the ever-increasing needs of modern agencies and brands. FIN also introduced today a new website and web presence.
FIN’s roster boasts combined experience from spots and branded content, to feature and documentary films, photography, social media content, and AI video designed to push the boundaries of branded content and create engaging stories across an array of formats. Directors include Travis Hanour, Mike Medoway, Gage/Betterton (Jenny Gage & Tom Betterton), Emmy winners The Storkels (Bryan & Amy Storkel), Matthew Pollock, Steve Davis, and Trevor Gourley. FIN’s editorial roster includes multi-Clio Winning Lead Editor Ling Ly, Mike Bertin, Billy Sacladan, Micah Levin, and Volkert Besseling.
FIN Studios also welcomes a growing collective of AI speciality artists under the direction of Creative Director Damien Nemire-Pepe, who oversees FIN’s growing motion design, VFX, and AI video teams.
FIN’s roster spans the full cinematic spectrum: A former D1 athlete and art director, Hanour is known for his visceral and visual approach to sports, lifestyle, and documentary work with legends like Rory McIlroy, Saquon Barkley, and Roger Federer. Travis’ most recent work, a 17-minute documentary film for TaylorMade Golf, has over 12M views on YouTube.
Award-winning Director Medoway toggles between elements of verité realism and cinematic polish. A director and photographer, his client list includes Lexus, MLS, Under Armour, Seiko, the Minnesota Timberwolves, and the U.S. Air Force.
Wife and Husband Director/DP duo, Gage/Betterton come from the world of New York Art & Fashion Photography, working with heavyweights like Vogue, W Magazine, and the NYTimes Magazine. Since, they created the acclaimed documentary feature All This Panic, feature films, and commercial work for brands like Ember, Olay, The Gap, Dove, and more.
The Storkels, also a wife and husband directing duo, are Emmy-winning documentarians whose unique style blends narrative and documentary storytelling with a distinctive take on American culture. Fan and critic favourites like The Pez Outlaw and Bitconned led to their recent foray into scripted comedy with the HBO Series It’s Florida, Man.
Pollock is a Cannes-winning director who honed his comedy chops at College Humor and on television shows like Adam Ruins Everything and the absurdist nerd hit Smartypants. Pollock’s commercial work includes brands like Mentos, Amazon, McDonald's, Adobe, and Lays.
Former creative director/copywriter, Gourley, has penned spots for Pizza Hut, The Toronto Blue Jays, Expedia and EA Sports. Gourley has brought his pitch-perfect comedic sensibilities to the director's chair for Kraft, Priceline, Remax, Harvey’s, Budweiser and more.
Davis is a multifaceted Director and AI Artist with an editorial background and is now a go-to generative AI filmmaker. His work lives at the intersection of emotion and spectacle as Steve creates stories for brands like Pilgrim's Chicken, the NBA, the Miami Marlins, and ESPN.
As deliverable lists have grown from 10s to 100s, FIN Studios’ new offering provides agencies and their clients with a comprehensive approach that can scale as needed to match content needs.
Alongside beautifully crafted films and commercials, FIN offers end-to-end production capabilities designed to yield premium work. Its services span live-action production, photography, social content, and AI-assisted creation, as well as full post-production offerings including editorial, motion design, VFX, colour, sound design, and interactive digital content. Having worked in both agency and production environments, its experienced team utilises the latest technology and streamlined creative processes to deliver assets across all types of media.
“Our roster brings together directors, editors, AI, and other artists who have created everything from feature films and episodic TV to documentaries and commercials in multiple genres. We’ve assembled this eclectic mix of talent to deliver any format a client needs,” says FIN Studios Head of Content Alex Cohn. “We believe creative content can be entertaining and engaging while still driving brand purpose, and we are excited to bring this philosophy—and our expanded production offerings, to a wider array of new client partners.”
“FIN was built to be the exact kind of production partner today’s agencies and clients need,” says Jean Freeman, FIN Studios Principal and CEO. “By pairing an agile, technology-driven studio infrastructure with flexible production capabilities, we can pivot seamlessly from premium film to cutting-edge social content. We are giving clients direct access to a creative toolkit that executes any vision with incredible efficiency that drives real results.”
