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Acclaimed filmmaker Ali Abbasi has joined Academy for global representation.
Renowned for his fearless storytelling and distinctive visual style, Abbasi’s addition strengthens Academy’s roster of visionary directors and underscores the company’s dedication to bold, original filmmaking voices.
In 2024 Abbasi directed The Apprentice, a provocative and audacious portrait of Donald Trump’s early years. Premiering in competition at Cannes, the film received widespread acclaim and went on to secure nominations at major global awards, including acting nods for its two stars at the Oscars, BAFTAs and many others.
Prior to The Apprentice, Abbasi’s body of work has been recognised on the world’s most prestigious stages. His breakout feature, Border (2018) received an Oscar nomination and was screened at the Cannes Film Festival. His gripping thriller Holy Spider (2022) competed for the Palme d'Or, earned the Best Actress prize at Cannes and was Denmark’s official submission to the Academy Awards.
On television, Abbasi directed the highly rated final two episodes of the first season of HBO’s critically acclaimed hit series The Last of Us.
With a reputation for bold visual storytelling and deep emotional resonance, Abbasi brings a cinematic sensibility to the commercial arena that few can match.
Academy co-owner Medb Riordan said of the new signing: "Ali Abbasi is one of the most exciting filmmakers working today. His films delve into complex characters with nuance, exploring the grey areas between right and wrong, hero and villain. From the powerful, propulsive Holy Spider and The Apprentice to the tender love story at the heart of Border, his work always forges a deep emotional connection with the audience. His finale episodes of The Last of Us season one remain among the most compelling on television, seamlessly blending gripping action with profound emotion. We’re thrilled to welcome him to our roster and look forward to seeing his vision in our market."
Abbasi commented: “I’m genuinely excited to collaborate with Academy in a way that’s evocative and provocative; to make work that doesn’t just communicate, but resonates.”
