Article 19 Office exposes freedom under fire
A harrowing film from the global human rights organisation uses a powerful metaphor for the danger journalists and their families face by speaking the truth.
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Credits
View on- Agency Grey/Mexico City
- Production Company Habitant
- Director Francisco Paparella
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Credits
View on- Agency Grey/Mexico City
- Production Company Habitant
- Director Francisco Paparella
- Sound BDS Creative Music Studio
- Global Chief Creative Officer Gabriel Schmitt
- Global Creative Director Diego Medvedocky
- Chief Creative Officer Alexis Ospina
- Creative Director Mario Berber
- Creative Director Ricardo Reyes
- Copywriter Paola Berman
- Copywriter Montserrat Bentata Medina
- Art Director Marco Oceguera
- Art Director Mauricio Sanchez
- Director of Production (HP) Julieta Napoli
- Director Andrea Pelegrin (La Pele)
- Executive Producer Gerardo Salas
- Executive Producer Cristina Nino
- DP Josue Eber Morales
- Editor Adriana Martinez
- Colorist Diego Flores
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Credits
powered by- Agency Grey/Mexico City
- Production Company Habitant
- Director Francisco Paparella
- Sound BDS Creative Music Studio
- Global Chief Creative Officer Gabriel Schmitt
- Global Creative Director Diego Medvedocky
- Chief Creative Officer Alexis Ospina
- Creative Director Mario Berber
- Creative Director Ricardo Reyes
- Copywriter Paola Berman
- Copywriter Montserrat Bentata Medina
- Art Director Marco Oceguera
- Art Director Mauricio Sanchez
- Director of Production (HP) Julieta Napoli
- Director Andrea Pelegrin (La Pele)
- Executive Producer Gerardo Salas
- Executive Producer Cristina Nino
- DP Josue Eber Morales
- Editor Adriana Martinez
- Colorist Diego Flores
Human rights organisation Article 19, Mexican newspaper Diario La Unión, and Grey México have unveiled this affecting short film, Bullet Machine, as an urgent call for press freedom.
Directed by Andrea Pele and Francisco Paparella through Habitant, the campaign immediately immerses us in a family home under threat by gunfire. After taking her daughters to safety, the mother enters her partner’s office, where we see that each bullet is caused by his keystrokes. When he stops typing, they cease, but when he starts writing, the shooting returns.
Brought to life by impactful performances and a powerful visual metaphor, the campaign reveals how violence against the press is not limited to those who practice journalism: it reaches their families too, who carry the fear and the consequences in silence.
