Bicep’s avian heist
A group of thieving bird enthusiasts take a bio-drone pigeon for joyride in Alex Takács’ surreal promo for the electronic music duo’s track, Gas.
Credits
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- Production Company ProdCo
- Director Alex Takacs
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Credits
View on- Production Company ProdCo
- Director Alex Takacs
- VFX WeAreFX
- Color TMLS
- Production Services Enkeny Films
- Executive Producer Ian Pons Jewell
- Executive Producer/Partner Zico Judge
- Executive Producer Theo Hue Williams
- Producer Fred Qvortrup
- Production Designer Nato Bagrationi
- DP Pepe Gay de Liebana
- Editor Louis Hvejsel Bork
- Editor Alex Takacs
- Assistant Editor Fleming Mason
- Art Director Eugene Lekh
- Colorist Didrik Brathen
- Post Producer Eli Mari Sandal
- Colorist Malin Imerslund
- Executive Producer Sophio Bendiashvili
- Executive Producer Bacho Meburishvili
- Producer Tekla Machavariani
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Credits
powered by- Production Company ProdCo
- Director Alex Takacs
- VFX WeAreFX
- Color TMLS
- Production Services Enkeny Films
- Executive Producer Ian Pons Jewell
- Executive Producer/Partner Zico Judge
- Executive Producer Theo Hue Williams
- Producer Fred Qvortrup
- Production Designer Nato Bagrationi
- DP Pepe Gay de Liebana
- Editor Louis Hvejsel Bork
- Editor Alex Takacs
- Assistant Editor Fleming Mason
- Art Director Eugene Lekh
- Colorist Didrik Brathen
- Post Producer Eli Mari Sandal
- Colorist Malin Imerslund
- Executive Producer Sophio Bendiashvili
- Executive Producer Bacho Meburishvili
- Producer Tekla Machavariani
Director Alex Takács had teamed up with music artist Bicep to launch this dynamic and dystopian music video through ProdCo for the electronic duo’s song, Gas.
Loosely inspired by a real-life heist in Brussels, where a gang of thieves stole an elite racing pigeon worth over a million dollars, the film follows a similar group who plot to steal a bio-drone; a living pigeon augmented with implants that allow a human handler to control the bird in flight.
After the heist, a young member of the group takes the bird on a joyride, experiencing the city anew through the eyes of one of its most misunderstood and maligned inhabitants.
The visual approach sees cinematic slow-motion beauty punctured by degraded CCTV-like surveillance. These digital distortions become part of the storytelling language, as visual signals get filtered through both avian and human biology.