Lunchables’ supersized snacks
Forget fast food, vast food has arrived in this fun new campaign for the Kraft Heinz meal-kit brand.
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hobby Film/Los Angeles
- Director Oskar Bard
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hobby Film/Los Angeles
- Director Oskar Bard
- Executive Producer John Gerard
- DP Snorre Ruhe
- VFX Supervisor Miroslav Gal
- CGI UPP (Universal Production Partners)/Czech Republic
- CGI Helmet
- Creative Director Daniel Righi
- Art Director Martha Shafer
- Copywriter Rich Forzano
- Producer Anna Lindsay
- Creative Director Kurt Mills
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hobby Film/Los Angeles
- Director Oskar Bard
- Executive Producer John Gerard
- DP Snorre Ruhe
- VFX Supervisor Miroslav Gal
- CGI UPP (Universal Production Partners)/Czech Republic
- CGI Helmet
- Creative Director Daniel Righi
- Art Director Martha Shafer
- Copywriter Rich Forzano
- Producer Anna Lindsay
- Creative Director Kurt Mills
Created by Goodby, Silverstein & Partners, these two films for Lunchables celebrate the vivid imaginations of kids playing with their food in the best way possible – by making merry monsters from their nibbles.
Helmed by Oskar Bård, through Hobby Film, the two spots showcase the ‘Lunch-a-Build’ possibilities, including a large crackers, ham 'n' cheese Hippo, being paraded round the neighbourhood by its proud designer and a leggy Kaiju-style critter who accidentally terrorises a city in the cinematic film Invasion.
Shot in Montevideo, Uruguay, Invasion required a blend of physical effects and CG to transform the city into a sprawling, US-style metropolis. Local vehicles were dressed and painted to look like US school buses and taxis. Giant prop pieces of cheese, ham and crackers rained down on a cast of 60 extras and 20 picture cars. “It felt more like a feature film shoot than a commercial,” says EP John Gerard. “We had a lot of conversations about how far to push the destruction. We wanted to get that epic feel of a Godzilla movie, but without scaring the kids at home. It was fun trying to get that balance just right.”
While Bård commented: "I love cheese and I love monsters. It was a perfect match.”
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hobby Film/Los Angeles
- Director Oskar Bard
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hobby Film/Los Angeles
- Director Oskar Bard
- Executive Producer John Gerard
- DP Snorre Ruhe
- VFX Supervisor Miroslav Gal
- CGI UPP (Universal Production Partners)/Czech Republic
- CGI Helmet
- Creative Director Daniel Righi
- Art Director Martha Shafer
- Copywriter Rich Forzano
- Producer Anna Lindsay
- Creative Director Kurt Mills
Credits
powered by- Agency Goodby Silverstein and Partners/San Francisco
- Production Company Hobby Film/Los Angeles
- Director Oskar Bard
- Executive Producer John Gerard
- DP Snorre Ruhe
- VFX Supervisor Miroslav Gal
- CGI UPP (Universal Production Partners)/Czech Republic
- CGI Helmet
- Creative Director Daniel Righi
- Art Director Martha Shafer
- Copywriter Rich Forzano
- Producer Anna Lindsay
- Creative Director Kurt Mills