Tim Robinson's supervillain has onboarding issues
The I Think You Should Leave star's revenge plot is put on hold due to corporate policies in this superbly silly spot for Rippling from Tombras and Zach Tavel.
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Credits
View on- Agency Tombras Group/New York
- Production Company BLINKINK
- Director Zach Tavel
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Credits
View on- Agency Tombras Group/New York
- Production Company BLINKINK
- Director Zach Tavel
- Executive Producer/Founder Bart Yates
- Executive Producer Josef Byrne
- Executive Producer Ellie Goodwin
- Head of Production Alex Halley
- Editing Church Edit
- Editor Tombras Group/Knoxville
- Founder Mah Ferraz
- Head of Production Elyse Robinson
- Post Producer Kylie DeVries
- Production Coordinator Maya Cooper
- Editor Online Bradley Kelsey
- Post Producer Finbar Todd
- VFX/Post Production Creep
- Senior Compositing Lead Matt Ditko
- Color Modern Post
- Colorist Myles Bevan
- Color Producer Brian Corey
- Audio Post Sonic Union
- Sound Designer/Audio Mixer Kelly Oostman
- Audio Producer Gina Petrarca
- Executive Producer Mary Kate Valentino
- Assistant Audio Mixer Alex Thiel
- Composer Cody Ackors
- Creative Director Mark Donnelly
- President Dooley Tombras
- Global Chief Creative Officer Jeff Benjamin
- Head of Production Chad Hopenwasser
- Chief Creative Officer Avinash Baliga
- Chief Partnerships Officer Denice Heyward
- Group Creative Director Chris Brailey
- Group Creative Director Bryan Barnes
- Senior Producer Amanda Krueger
- Lead Producer Jon Mealing
- Production Designer Liam Moore
- DP Frank Mobilio
- Editor Jacob Bottorff
- VFX Supervisor Andy Bate
- Senior Compositing Artist Rui Veiga
- Producer Drew Toresco
- Producer Brianna Liebling
- Talent Tim Robinson
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Credits
powered by- Agency Tombras Group/New York
- Production Company BLINKINK
- Director Zach Tavel
- Executive Producer/Founder Bart Yates
- Executive Producer Josef Byrne
- Executive Producer Ellie Goodwin
- Head of Production Alex Halley
- Editing Church Edit
- Editor Tombras Group/Knoxville
- Founder Mah Ferraz
- Head of Production Elyse Robinson
- Post Producer Kylie DeVries
- Production Coordinator Maya Cooper
- Editor Online Bradley Kelsey
- Post Producer Finbar Todd
- VFX/Post Production Creep
- Senior Compositing Lead Matt Ditko
- Color Modern Post
- Colorist Myles Bevan
- Color Producer Brian Corey
- Audio Post Sonic Union
- Sound Designer/Audio Mixer Kelly Oostman
- Audio Producer Gina Petrarca
- Executive Producer Mary Kate Valentino
- Assistant Audio Mixer Alex Thiel
- Composer Cody Ackors
- Creative Director Mark Donnelly
- President Dooley Tombras
- Global Chief Creative Officer Jeff Benjamin
- Head of Production Chad Hopenwasser
- Chief Creative Officer Avinash Baliga
- Chief Partnerships Officer Denice Heyward
- Group Creative Director Chris Brailey
- Group Creative Director Bryan Barnes
- Senior Producer Amanda Krueger
- Lead Producer Jon Mealing
- Production Designer Liam Moore
- DP Frank Mobilio
- Editor Jacob Bottorff
- VFX Supervisor Andy Bate
- Senior Compositing Artist Rui Veiga
- Producer Drew Toresco
- Producer Brianna Liebling
- Talent Tim Robinson
The characters Tim Robinson plays tend to lean on the petty, petulant and (thankfully) ineffectual, and the belagued despot in this Super Bowl spot for Rippling is no exception.
Set to a bombastic score, Don't Let Bad Software Ruin Your Plans sees Robinson's plans to ruin a city that's been "nothing but nasty' to him fall-short when he finds out that his kaiju of choice - Baby Breck - hasn't been properly onboarded.
Utilising the actor's unique skill of constrained rage, this chuckesome film from agency Tombras and BLINKINK's Zach Tavel feels like a joyfully nutty sketch.
“Tim’s been one of my all-time favourites since I was a university student," explains Tavel, "so pointing cameras at him was a true thrill for me. Tim played the role more introspectively, so we went big to juxtapose that. We built a self-serious look and feel, winking at 80s/90s action thrillers, in our cinematography, music, and set design in order to heighten the absurdity of the very specific scenario at hand, as well as to meet the occasion for Tim’s character (and the Big Game). Working with Tombras and Rippling, two groups I have longstanding relationships with, was a true joy, and this whole thing is a testament to great collaboration and partnership."
