UN Women won't just stand and watch
This powerful and affecting new film for UN Women explores the moment witnesses to harassment must decide whether to intervene or stay silent.
Credits
View on- Agency Media Trust
- Production Company The Banquet
- Director Ian Roderick Gray
-
-
Unlock full credits and more with a shots membership
Credits
View on- Agency Media Trust
- Production Company The Banquet
- Director Ian Roderick Gray
- Editor Whitehouse Post/London
- VFX Bubble TV
- Color Harbor Picture Company/UK
- Executive Producer Tabitha Morton
- Writer Eno Mfon
- Producer Adham Hunt
- Executive Producer Evie Wright
- Executive Producer Ian Roderick Gray
- Executive Producer Adham Hunt
- Production Designer Leva Petrav
- DP Beatriz Delgado Mena
- Editor Liz Deegan
- VFX Artist Tim Mellem
- Colorist Karol Cybulski
- Sound Designer Edwin Matthews
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Media Trust
- Production Company The Banquet
- Director Ian Roderick Gray
- Editor Whitehouse Post/London
- VFX Bubble TV
- Color Harbor Picture Company/UK
- Executive Producer Tabitha Morton
- Writer Eno Mfon
- Producer Adham Hunt
- Executive Producer Evie Wright
- Executive Producer Ian Roderick Gray
- Executive Producer Adham Hunt
- Production Designer Leva Petrav
- DP Beatriz Delgado Mena
- Editor Liz Deegan
- VFX Artist Tim Mellem
- Colorist Karol Cybulski
- Sound Designer Edwin Matthews
This new short film for UN Women, the organisation dedicated to gender equality and the empowerment of women, examines the thought processes of people who witness concerning behaviour by other men,
Called Bystander, and made in association with Media Trust, the short highlights the thought processes of those unsure whether or not to step into a situation which seems potentially harmful.
Directed by Ian Roderick Gray through The Banquet, edited by Liz Deegan through Whitehouse Post, and with cinematography by BAFTA-winning Beatriz Delgado, Bystander is a tense and intimate exploration of the split second in which instinct, fear and responsibility collide. The film recognises the uncomfortable familiarity of realising that something isn't right, and the internal argument of whether to intervene, or stay silent.
"Silence is one of the most powerful forces sustaining inequality," said Roderick Gray. "Conversations about gender-based harassment understandably focus on perpetrators and survivors. But there is often a third presence: the bystander. The colleague who looks away. The friend who doesn't interrupt. The stranger who chooses not to intervene. That silence is rarely malicious. It is uncomfortable, conditioned and deeply human. Precisely because it feels ordinary, it can be incredibly powerful.
"This goal was to shift the lens onto that ordinary silence. Rather than depicting extreme scenarios, we focused on everyday moments that many people will recognise. I wanted audiences to experience the tension of inaction from the inside and sit with the discomfort of not stepping in. The intention was never to accuse, but to create recognition. Meaningful change rarely begins with outrage, it begins with self-awareness. Working with UN Women UK gave the project both urgency and responsibility. We wanted to honour the reality of gender inequality without resorting to sensationalism. The storytelling is quiet, observational and immersive because these moments often unfold
quietly too.”